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Right now, everything is in sync for Charbila with this collection of songs. вЂњThe first thing that comes out is more powerful than when you overthink it or keep going over it, because your mind starts getting very involved in the writing process and it ends up coming from someplace other than your gut.вЂќ The common thread between both, whether itвЂ™s a film or media or whether itвЂ™s my own thing, is that itвЂ™s something I really believe in first,вЂќ says Charbila.

ItвЂ™s not filtered through a director or visual board that somebody else has created. вЂњIвЂ™m piecing the puzzle as I go, and itвЂ™s only really filtered through me. вЂњWhen I do my own stuff, I know immediately the sounds and the feel that IвЂ™m going towards,вЂќ she says. вЂњI wanted to make this about best friends, two girls, who end up having sex in the backseat and put a twist on it.вЂќ вЂњIt starts with that concept but it became more sinister,вЂќ says Charbila, who sings IвЂ™m taking the lead in the back seatвЂ¦ IвЂ™ll show you something you donвЂ™t know you like on the track.

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Produced by Charbila, who is also an established composer, Better Than Electric free falls around desires from the scandal-ridden synth of вЂњAt the End of the NightвЂќ and the bolstering open of вЂњShine,вЂќ co-written and produced by electronic artist Faderhead, who also worked on the track вЂњUnbroken.вЂќ Inspired by another Depeche Mode Music for the Masses-era song вЂњNever Let Me Down Again,вЂќ вЂњShine,вЂќ set around its lyric IвЂ™m taking a ride with my best friend, sets forthcoming scenes of Better Than Electric. ItвЂ™s like a surrealistic pairing of words.вЂќ Electricity is just an alluring concept, not just sonically but emotionally as well. вЂњItвЂ™s a very emotionally charged thing that we use for love and for connection.

вЂњItвЂ™s the synth world, which IвЂ™m obsessed with, but itвЂ™s also immersive,вЂќ she says. вЂњIt had like this neon feel because of the synths,вЂќ adds Charbila, вЂњso I kept recreating the same song with very different sounds with the same kind of feel, then I thought вЂI guess this is going to be an album now.вЂ™вЂќДЄs she was writing the lyrics to вЂњBetter Than Electric,вЂќ Charbila knew she wanted to include the word electric since it has so many different meanings for her.

Originally written about a long-distance relationship, вЂњBetter Than ElectricвЂќ (featuring British electro artist Maps on the album), continued to shape-shift into something more palpable and cinematic. вЂњItвЂ™s like a pregnancy that you just donвЂ™t didnвЂ™t plan for, but you keep the baby.вЂќ вЂњAll of those themes fit in this retro-futuristic sonic backdrop.вЂќДЇor Charbila, who recently worked with longtime David Lynch composer Angelo BadalamentiВ onВ a cover of вЂњ Mysteries of LoveвЂќ from LynchвЂ™s 1986 film Blue Velvet, and has composed for television, video games, and film, including her most recent soundtrack to 2020 Giorgos Georgopoulos-directed film Not to be Unpleasant, but We Need to Have a Serious Talk, Better Than Electric was an accidental album. вЂњWhen I first wrote the first song вЂBetter Than ElectricвЂ™ I liked the title and the feel of that song so much that I wanted to keep recreating it in different sort of formats, because it kind of encompassed all the things I really cared about, and still care about, which is night drives, Los Angeles, sex, love,вЂќ says Charbila. Writing during the pandemic, вЂњBetter Than ElectricвЂќ would become the title track of her new album and guide the remaining 13 tracks steered by love and lust, and driving in the dark. Tied to the pulse of Depeche ModeвЂ™s 1987 hit вЂњBehind the Wheel,вЂќ Elena Charbila (Kid Moxie), became fixed on the idea of some things Better Than Electric.

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