Schumann indicates that the strophes containing the word

#Schumann indicates that the strophes containing the word plus#

In general, the music will normally exemplify, while at the same time the poem will denote and exemplify. In song, exemplification might occur in all three levels of voice, text and piano, in many interesting combinations: the music set to a poem speaking about (denoting) immobility may exemplify movement the music set to a poem denoting alertness and exemplifying sluggishness may exemplify sluggishness, etc. Exemplification is found in music and abstract painting. Denotation is mainly at work in speech/literature and thematic painting.

#Schumann indicates that the strophes containing the word plus#

Exemplification is denotation plus possession of the property denoted. I use those two terms in GoodmanвЂ™s sense ( Languages of Art), e.g.: вЂblackвЂ™ denotes black вЂblackвЂ™ exemplifies (and denotes). Musical picking out is brought about more by way of exemplification than denotation.

in the form of the art song: 4 a poem is by definition semantically dense and interpretatively open any single reading and/or interpretation (by a composer, an actor or simply a reader) must necessarily pick out some but not all possible aspects. While WittgensteinвЂ™s original discussion and much of the subsequent attention are focused on the visual domain and the from one aspect to another (the famous rabbit/duck example), my attention is directed to aspect-seeing as understanding in poetry and music, esp. a cognitive act between mere seeing, physiologically speaking (if there ever is such a thing), and actual interpreting in other words, aspect seeing or noticing is a bit of both (a kind of вЂseeingвЂ™, in a large sense). Wittgensteinian вЂaspectsвЂ™ concern duly a concrete way of seeing-as i.e. in a ied, as text-aspect exemplification by means of music. 3 And, of course, it will not so much name causes as it will show what is beautiful or interesting or clever or вЂ¦ about the beloved piece of music. At any rate, this kind of analysis (or its best parts) 2 will offer no causal explanation whatsoever, as Wittgenstein used to say about FreudвЂ™s best interpretations: it will only be вЂњan expression of ideas which led us from one end to another of a вЂќ ( Lectures, 18). You may linger on one or the other вЂprivileged momentвЂ™ you can recourse to necessary background knowledge you may see all of a sudden a hidden aspect you did not think of while listening to the music you could spend an hour discussing a piece of music which only lasts a few minutes. 1 Of course, analytic discourse has a logic of its own and once operating in this mode things canвЂ™t go exactly parallel to the listening mode. Analysis (or at least the kind I would like to argue for) gives you the chance to spend quality time with the music you love to live again imaginary sound trajectories to try to re-present ( vergegenwГ¤rtigen) privileged moments played out inside a richly differentiated temporal frame to get carried away ( and again) while talking about all this, before the next time you listen again to the music (which will then set you anew to the analysis mode and so forth). Listening to music is logically prior to analysis. Listening to music (then talking about it) It will help you the next time these letters, S T R O P H E S come up in a word scramble game.1.

How is this helpful? Well, it shows you the anagrams of strophes scrambled in different ways and helps you recognize the set of letters more easily.

The different ways a word can be scrambled is called 'permutations' of the word.ДЄccording to Google, this is the definition of permutation:ДЄ way, especially one of several possible variations, in which a set or number of things can be ordered or arranged. According to our other word scramble maker, STROPHES can be scrambled in many ways.